I learned about slavery from Hollywood. Why is French cinema so slow to depict our own colonial crimes? – The Guardian
In a recent article by The Guardian, the question is raised about why French cinema has been slow to depict the country’s own colonial crimes, especia…
In a recent article by The Guardian, the question is raised about why French cinema has been slow to depict the country’s own colonial crimes, especially in comparison to Hollywood’s treatment of the subject. The author discusses how they learned about slavery not from French films, but from American movies like “12 Years a Slave” and “Django Unchained.”
The article points out that while Hollywood has been more willing to confront its own history of slavery and colonialism, French cinema has largely avoided addressing these topics. This is particularly striking given France’s history of colonization in Africa, Asia, and the Caribbean.
The author argues that it is important for French cinema to confront its colonial past and tell the stories of those who were oppressed and exploited. By doing so, filmmakers can help educate audiences about this dark chapter in French history and contribute to a more honest and inclusive cultural dialogue.
The article also raises questions about why French filmmakers may be hesitant to tackle these subjects. Is it a lack of interest, a fear of controversy, or a desire to maintain a certain image of France’s past? Whatever the reasons, the author argues that it is time for French cinema to step up and start addressing these important issues.
Overall, the article serves as a thought-provoking commentary on the role of cinema in confronting historical injustices and the importance of telling diverse and inclusive stories on the big screen.
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Source: The Guardian
